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Short fiction [Other] Moderators for this section: spiderbaby49, ochsterboxter, Poenamu, Lingua Pura, carolynrn, Inker

The Couch/Revised


Outline: I mostly tried to clean up the visual presentation so it was easier to read, and take out all the commas that were extraneous. I tried to pay attention to the reviews I got. I want to put this out in the big world. So if you've already said what you wanted to say, I thank you. If it's new to you or you want to say something new, please have at it. Maybe it's not a story yet, but only a scene.
Why: for possible publication
To have my head examined, was like succumbing to a one-way grooming session with an older, wiser monkey. Immediately I entered her office, I could see I would not be able to run my fingers through her hair, affably picking out mites and eating them. No, I was paying a fee, to be groomed and set free from what was bugging me. It was a "safe place"; all decked out with the usual Jungian sign posts, the accoutrements of signal knick-knacks. There were small stone animals, set in circles, merry-go-rounds of totemic bric-a-brac, large flamboyant plants, fishes in an aquarium, nice soft ambient light and, the couch.
She, from her chair, smiled greeting, and motioned me to sit down. On the couch. The couch with a bolster, and a blanket and the dreaded teddy bear. He leaned against the wall, sitting on the top, inert and off-balance in his faux fur. The mindless little piece of innocence immediately put me on my guard.

" Dierdre, I thought we could start by getting to know each other a bit. Why don't you lie down, and just be easy, and tell me what is on your mind."

"Well for starters, I am not going to get to know you. And I don't usually start conversations by lying down, unless I'm potted, which I am not. Is it absolutely necessary that I lie down? It seems so Freudian." I immediately wanted to flirt with her, so that she would be discomfited, on equal ground. I knew this was a mistake but it was just the kind of mistake I loved to make. Was part of the reason I was paying her $80 an hour. I thought I could change the kind of mistake I made to a better kind. This was the farthest improvement I could imagine.

She leaned forward. "People often find that lying down allows them to get to the bottom of things."

"Do you, did you just hear what you said? You, you can't be serious! Alright, I'm sorry, that was just, I'll give it a go, but really, you could be in comedy. Can I take off my shoes? I mean, it's not statutory, somehow, it won't get you in trouble? Should I leave one foot on the floor?" I was feeling so defensive I decided to attack. She didn't seem impressed. She spoke clearly and smoothly.

"Do whatever you need to to feel comfortable. If you feel like it, use the blanket. You may hold the bear if you like. Take your time."

I couldn't abide that lousy bear. "Listen can I just toss this guy? He gives me the creeps. I don't need to go that fucking far back, I'm afraid I might get stuck. Oh, and, does it upset you if I swear? I do it quite freely, but I don't have to." I tossed the bear across the room. I loved to see him go flying, and he landed face down near the banana tree. I did avail myself of the blanket though. Suddenly I was freezing.

She smiled. "You may already be stuck my dear, but if you don't like him, you needn't have him. Close your eyes if you like. Tell me, how do you feel just now?"

I felt awful. I was cold, and had my hands joined across my chest, then hugged them to my throat. "I feel like, Heloise, you know, Heloise and Abelard. I feel holy, as if I were made of stone, like someone buried in a sarcophagus." I'd been analyzed before, being an old hand, I liked to get right down to it. I was used to talking out loud about the most horrible, funny things.
I rubbed my hands together to chafe them warm. I put my hand to my head, and wiggled my feet.

"Oh, I like writing and I'm not able to do it. I, I get dragged off course. I wanted to write something, and soon as I started, the idea of Pompeii popped in my head." I had closed my eyes. I was trying to cooperate, but peeped open my eyes to see her looking at me, her notebook poised. "You know, Pompeii, where tourists go to have a look at death close up. All the particulars, frozen there, all the intimate details. You know, the volcano and the ash. I couldn't get it out of my mind, so I Googled it. I pored over photographs, lore, blogs, people's pictures of pictures. I ate it, I couldn't get enough of it, I couldn't get it out of my head. I began to deviate off of what I originally meant to write. I saw myself somewhere outside of Pompeii. It used to be called Herculaneum. Somewhere, safe, but still, where a tiny bit of ash fell, more like petals from trees in bloom. I was out of doors, having my breakfast, again and again having my breakfast, outside. I, my lover was there, I had left him. I knew he was destroyed. I sat at a cafe table with an iris in a vase, and had cheese, and olives, and fish, and soft bread with a crust, and a glass of wine."

I sat up. I had been holding my hands out over my head, gesturing. I had been so into the scene, and then I realized I was on a frigging couch, blabbing. I sat up, and curled my toes into the carpet. I ran my fingers through my hair.

"You know it's perfectly obvious to me, I don't know why I have to come to a perfect stranger to realize this. I blew up! I am fucking Vesuvius here, it's plain to see!" Here I leaned forward. "You are a perfect stranger. You ask me what I want someone to ask me. You know why I swear? Because I get to be my own father. You know, this is ridiculous. I know all this. Why in heaven's name. I can't afford this, you know. You know, people in other countries think Yanks are nutters because they see psychiatrists. Not because we're insane, but because we pay for our insanity with money." I was crying now, my knuckles in my teeth. I was freezing, trembling.

"Why do you care that people from other countries think seeing an analyst is insane? What people, what countries?" She had stopped scribbling; the room was silent except for my gulping sobs. I was alarmed that I had dragged her off course a little bit. The teddy bear lay face down. The fish made their serious way through the water. The light was changing, the clock-hand was moving, inexorably toward my time-up.

"Well everyone in the U.K. for one, and even Australians! The Germans, I don't know, they're still trying to get out from under the frigging Holocaust, for God's sake." I fell back, my head against the wall. "Everyone's got problems, it's only Americans think they've got to get it right. I mean, people in other countries, they just dither through it, they stand up and just get through it. They don't try to fix things, if they're fucking broken then they're fucking broken that's all, this, this is all beside the point! I can't afford you. I can't afford to blow up. Where are the fucking tissues?"

I pulled half the box out at one tug. I blew my nose, I wiped my raccoon eyes.

"So what is it about "being a volcano" that upsets you so?"

I managed a miserable laugh. "Well, when volcanos blow up, people living nearby are covered in molten lava for one thing. Burnt up. Or they get buried in ash, which is a horrible way to go. There they are, one minute, and foomp. Engulfed, smothered, stuck like that. Don't you see the symbology?" I looked at her as if she were nuts. I was disappointed. I sniffed. I waited.

She tapped her notebook. "Symbolism"..

"Aha! You see it too! It's dangerous, I'm dangerous, everyone I love is in danger!"

"But my dear, you aren't really a volcano." She said this gently, sympathetically.

I wished I had worn my glasses so that I could take them off and eye her. As it was I was forced to say "You've really got a calling here. I'm sorry, but, I come in here, looking for something, I don't know, I need help here, and you tell me I'm not a volcano. I can hear it now when I get home. 'Hi hun, how'd it go?' And I'll say 'Well, I'm not a volcano.' And my husband will say 'You, you, well that's just fine. I'm happy for you Spike.'

She perked up at that. 'He calls you Spike? Then she looked at her little watch. "Well. Our time is up for today. You can see you have a lot of bottled up energy here, can't you? The simplest question, and just see the result. I hope you come back. You are an interesting woman, and I would like to work with you to help you through this."

Where does the time go, when you're having your head examined? "Just like that? I'm supposed to leave here with my guts hanging out? What do I, what do I do in the mean-time? Auf. Yeah okay, whatever." I held the back of my hand to my mouth. "Fucking Pompeii" I whispered to myself. "So that was it." I did all the work, and she'd only been pushing me when I stopped rolling.

"Listen you've been a lovely audience. More than most people get. I'll just walk out of here with my iris in my hand. I gotta get this down, before I forget it." I knew I was being difficult, but therapy in this context was as stop-and-start to me as a driving lesson with a stick shift.

I made my check out for her, in a wild unrecognizable hand. I tore it off unevenly and thrust it at her. I resisted the impulse to touch her somehow. Yeah yeah yeah, that would come later, as I transferred onto her all my crap romantic impulses. At some point, I would try to run my fingers through her hair, just the kind of mistake I love to make.

Author Explanation: Never mind about the trigger. If this needs smashed tell me.

Logicus tracticus

[Sat Jun 23, 2007 12:59 am] Just marking

while I look up Jung Re: "dreaded teddy bear. He leaned "
Interesting why all teddy bear are male yet teddies are a female item of clothing...

Interesting to note I has become Deirdre, in this version which is good shows the SheNote not shrink/phycha.. or other name used despite slight hostility shown towards the intent of aims of "she" in this re-write is more friendly , calling I Dierdre (Deirdre )typho or trying to how MC as claiming her own identity...or is it "she" tring to goad MC into slipping the façade one trys to show at start of first session .
(
Should I ask how you held the blanket by the corner, like winnie or in both hands clasped to your chest..did you suckle on one corner?..and where/what did you do with it when "hands joined across my chest, then hugged them to my throat." Did you it on it defensively...will be back later..to finish reading
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read once for meter, twice for rhythm
thrice for rhyme, then again for
leisure or measure of pleasure;
you: parasites of no consequence:
Larkin
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Andmymare

[Sat Jun 23, 2007 1:14 am] One Track Mind

Hahah. Jung knew Teddy Bears were dreaded, trust me. Hahaha. There's a poem; 'Jung's Teddy Bear'. I don't know about the lingerie question Logi, that's your purview.

Aye, Friday night, it's a good thing.

Andmymare
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Carson [<18]

[Sat Jun 23, 2007 1:42 am]

Oh Andmymare,

I was reading this just the other day (or the former version anyway) in someone's favourites, and I was really taken with this. I love to read things like this, where someone actually speaks out loud how I think a lot of people think sometimes, I for one anyway. I just think it's beautiful to put that into words.
Quote:
where a tiny bit of ash fell, more like petals from trees in bloom.
Things like that. Sometimes when I get to rambling like this to a few people I know, they just think it's mad or something.

I liked how the narrator pours her soul out, only to be checked by the shallow, yet clinical, kind of realitic voice of the psychiartist. The symbolism in this was great too - Heloise and Abelard. I didn't actually know anything about them until I came across this in favourites the other day and I googled it. And Pompeii as a kind of ideal/symbol too.
Quote:
I feel holy, as if I were made of stone, like someone buried in a sarcophagus."
Great line, I think my favourite in the whole story. How often do you highlight a favourite line from a short story? That's how good this was to me.

And then the mc's time ran out. She leaves with her "guts hanging out". The only thing the psychiatrist seems to have been remotely interested in is the implication that her husband calls her "spike". And that she is not a volcano. I sympthise with the mc on this, I'm cynical about psychiatrists. This really good friend of mine, she's said to me on a few occasions, or suggested anyway that I should think about seeing someone like that - long story. The short of it is, that I think psychiartists are aloof and cannot really understand or relate to the average person. I'm not sure why that is. I think if I went to see one, I'd either laugh or cry when they started talking to me. The whole thing just strikes me as far too clinical and surreal in a way.

I liked the couch as a kind of symbol as well. That the mc sees it and sort of stops dead. "The couch". I think it's strange that a couch, something so usually related to comfort is the scene of perhaps one of the most uncomfortable things you can experience. It's like mental examination, breaking it all down.

There's a whole lot in this, Andmymare. I think it's a very rich and full read. Imagery isn't confined to poetry is it? Cos I thought there was great "imagery" in this. I shall be back for a re-read or five. I'm liable to read it a few more times tonight. I was reading Raymond Carver before I came back on the computer. But as an insomniac, I'd say this'll be in my head tonight rather than his Night School, seems a bit lacklustre in comparison. This was an intense read. Right from the off I felt like I was inside this story. I liked it a lot. An insomniac's dream, as it were. It's going in my favourites.

I feel like I haven't done this justice in my review, like I've left stuff out. I'll be back to see what others have to say as well. Thanks for the read,

Tim
_________________
"I'm so much older than I can take"

All these things that I've done - The Killers
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karjon

[Sat Jun 23, 2007 1:42 am]

'ra morra or the next day, missus - promise.

K.
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BrianRobertNeal

[Sat Jun 23, 2007 7:29 am] Hi AMM

Now come in my dear. Take off all your clothes and lie on the couch. If it makes you feel embarrassed, I'll take mine off.

Now I'm going to play you a piece of music to relax you.

It's entitled, "Psycho-therapy" and it was written and sung by Melanie.

Seriously the songs lyrics sum up my feelings towards the subject.

I've been looking for the Vinyl and can't find it. The only lyric I can remember is, "A thing's a Phallic Symbol if it's longer than it's wide."

Freud is now being revealed to have been a fraud making up his tales up as he went along.

But Placebos can work, if the problem is in the mind.

I think psychoanalysts are like up-market fortune tellers who however dig into an imaginary past rather than erect an imaginary future.

Now where was I oh yes chuck teddy away, you'll not need the blanket and move over.

Brian



The reviewer would appreciate your comments on: The Magdalene Sisters
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bitraker

[Sat Jun 23, 2007 5:16 pm]

amm

This is more essay than story; I would put this one under personal narrative essay. Story structure adheres to a much more rigorous format. This is more slice-of-life. Editors will read it as such. If you place it in the right genre, you will stand a better chance of getting published.

That said I like your honesty which borders on a rant but that's okay because sometimes you just have to let fly; better yet, there are lots of sites that publish such material.

As for commas, be careful about comma splices:

Sentence #1:

"To have my head examined, was like succumbing to a one-way grooming session with an older, wiser monkey."

No comma between the infinitive subject (To have my head examined) and the verb "was." It should read like this:

"To have my head examined was like succumbing to a one-way grooming session with an older, wiser monkey."

Sentence #2:

"Immediately I entered her office, I could see I would not be able to run my fingers through her hair, affably picking out mites and eating them.

No comma between "office" and "I." This too is a comma splice. You are dividing two independent clauses. You have to use either a period:

"Immediately I entered her office. I could see I would not be able to run my fingers through her hair, affably picking out mites and eating them."

Or a semi-colon:

"Immediately I entered her office; I could see I would not be able to run my fingers through her hair, affably picking out mites and eating them."

Sorry for the grammar lesson, but editors will spot these kerfuffles a mile off and read no further.

Don't let detail errors distract your reader from the power of your prose.

bitraker
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Andmymare

[Sat Jun 23, 2007 7:30 pm]

Karen, I'll be back to scrape through (again) per Bitraker's advice. I CAN conquer this comma stuff, if nothing else.

Tim, thank you for sharing your thoughts.
BRN, I'm backing slowly away from the screen. Thank you for your review.
Bitraker,
'personal narrative essay'? Blech. Hahahaha. But alright, it is neither fish nor fowl. I understand what you mean about a more rigorous format; I mean that I understand what those words mean, not that I know how to accomplish it.
Thank you for the go-through on punctuation.
Gotta start somewhere. I don't want it published as 'such a thing' as a 'personal narrative essay'. So thank you for saying that. I'd rather learn to squish it into a comedic-realistic rant story than shear it of its horns for genre's sake. Valuable information.

Sincerely,
Andmymare
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bitraker

[Sat Jun 23, 2007 7:55 pm]

The first question editors and agents ask is "Which genre?"

Yes, bodice rippers and mystery and noir are genre, but so is literary.

Knowing your genre is the first step in knowing what your story is about.

Nail the genre then worry about voice.

bitraker
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Andmymare

[Sat Jun 23, 2007 8:24 pm]

Okay but look. I guess you have to have a huge mind to bend genre to suit your purposes, and I don't have a huge enough mind. So I've got to poke around and learn to fit my message to an already existing one. I'm not trying to be cantankerous or resistant. I just think, there's got to be a place for this other than 'personal narrative essay'. The very phrase causes me to smile. And I accept that this is not rounded-off enough to exist except as a snippet or beginning.

Look, the current published land-scape is littered with memoir. And I don't want it to be glib. Whatshername there, Ruby Fruit Jungle what's her name, that's fine, but after a few chapters it gets glib. Then there's Erma Bombeck (doubt if you've read her); a real mistress of the funny personal essay, published up the wazzoo and sadly gone to cancer. I respect her work. She connected with millions of people, mostly women I suspect.

I thought voice was more important, that writing should take place close to the source. I mean you make a key, and then go looking for a lock. Not that you just manufacture a bloody key because the locks exist. I mean look at Lenny Bruce. He made his own genre. Do you understand what I'm saying? Can't I force the issue? Or are you saying 'yeah Andmymare, you can force the issue and go unpublished, go ahead.'

Sincerely,
Andmymare
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BrianRobertNeal

[Sat Jun 23, 2007 11:40 pm] Watto AMM

To get published is some writers' "Holy Grail"
Wealth, happiness,fame, will be your's without fail.
Find the vehicle, force your words to genre fit.
Hundreds of Thousands of writers dream of it.
Writing just to achieve applause and acclaim
Merely makes you mind selling whore on the game.

Re punctuation: I once put an unpunctuated paragraph on a discussion forum and asked people to punctuate it. There were at least four camps who fiercely debated the matter.

Language is your servant not your master. It is also in constant flux, today's usage being yesterday's abusage and tomorrow's archaism.

Brian

Brian

The reviewer would appreciate your comments on: The Magdalene Sisters
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Gaviano

[Sat Jun 23, 2007 11:44 pm]

Hi Andmymare,

Voice / genre. Hm, not sure what I think about this. Don't think it's anything I've really given much consideration to, but to me voice is very important and there's a good voice to this that I don't think is particularly easy to achieve and carries the read.

My favourite line was:

Quote:
I wished I had worn my glasses so that I could take them off and eye her.


although there were some great lines of dialogue in contention.

As for the story, the conclusion and symbolism may have been a little simple, but again I come back to the importance of the voice and the future bit which made it satisfying. I've read a few things along these lines, particularly American, and with a bit of refinement I reckon you could find a home for this.

Enjoyed it. Cheers.

Gav
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Andmymare

[Sat Jun 23, 2007 11:51 pm]

Oh Brian, don't worry your head about it.
For one thing, I meant this to be funny. I wasn't so much interested in people's opinions of shrinks; I find them very, very interesting as a subspecies. Some of my best friends are analysts, really.

The analyst in this piece was a mere foil. She was not painted in depth atall. And it is for me to address the question of genre; really, I take all comers to this as sincere, including yourself. Language is both my servant and my master. Really. I am pushed around by it, yet I push it back. It is a wonderful relationship. Please do not get het up. I meant in this piece to have fun, real spiritual fun; I meant the readers to have a splash around, and not get grim.

Dinnae fash yersel'. I am certainly not a media whore; they won't have me in my present dress.

Humorously,
Andmymare
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BrianRobertNeal

[Sun Jun 24, 2007 8:56 am] Hi AMM

There's one thing that I really dread,
Not seeing your name on my thread.
So if you make up for this lack
I will let you have your clothes back.
Very Happy Laughing Very Happy

(I've never used Emtoticons before)

Brian
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Andmymare

[Sun Jun 24, 2007 12:16 pm] oops

Sorry Gav didn't see you there. Thank you for looking at it.
I am just being contentious.
I'll stop bashing around and just work on this whatever it is.
I mean c'mon, who am I kidding here; I can't even punctuate properly. So thank you for having a go.

Regards,
Andmymare
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Phots-Moll

[Sun Jun 24, 2007 2:13 pm]

I'm not sure if it's a story either, I'm not sure that really matters if the piece is interesting enough, and this is very interesting.

This is an improvement on the version I read before. I think you have more detail in this time? The scene is very vivid and the dialogue (spoken and internal) is believable.

I'm not sure if Diedre is nuts or just a bit self absorbed. I don't think she knows either.

Quote:
I put my hand to my head
that seemed odd - almost as though she had just one hand, maybe 'I put a hand to my head'?

There are some great phrases as others have highlighted. I think my favourite is
Quote:
The mindless little piece of innocence immediately put me on my guard.
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